Q&A 8

If you have questions concerning the Taubman Technique, you can now leave them in comments on this blog.

Time may not allow me to answer all your questions but those selected to be answered will be taped every few weeks and shown here. I’m looking forward to hearing from you.

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Q&A 7

If you have questions concerning the Taubman Technique, you can now leave them in comments on this blog.

Time may not allow me to answer all your questions but those selected to be answered will be taped every few weeks and shown here. I’m looking forward to hearing from you.

Q&A 6

If you have questions concerning the Taubman Technique, you can now leave them in comments on this blog.

Time may not allow me to answer all your questions but those selected to be answered will be taped every few weeks and shown here. I’m looking forward to hearing from you.

 

Q&A 6. Chopin Scherzo No2./ M.545-582

Q&A 4 and 5

If you have questions concerning the Taubman Technique        you can now leave them in comments on this blog.

Time may not allow me to answer all your questions but those selected to be answered will be taped every few weeks and shown here. I’m looking forward to hearing from you.

Q&A 4. Beethoven Sonata op.2-3 / 1. Mov. /M.96~

Are we “cheating” when we divide large distances between the hands?

 

Q&A 5. Prokofiev Sonata 7 /2. Mov. /M.44-46

How to manage legato and staccato leaps

Q&A1, 2 and 3

Q&A1. Basic balance and rotation in ascending and descending 5 fingers

 

Q&A2. How much do the fingers move when we rotate?

 

Q&A3. What causes some fingers to feel weak

Ask a question and get an answer. Also, explaining double note trills.

If you have questions concerning the Taubman Technique you can now leave them in comments on this blog. Time may not allow me to answer all your questions but those  selected to be answered will be taped every few weeks and shown here. I’m looking forward to hearing from you.

 

 

 

 

Edna Golandsky discusses Chopin Etude Op. 10 no 8

 

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